The popular response to Kubrick's movie,in particular, film noir essay, was the result of an…. Free Film Noir Essays and Papers. Unforgiven Film Well Deserving Of Best Picture Film Studies Essay. The "fight" against the "power" has been won - at least momentarily. It is very aware of its neo-noir elements and film noir essay referential towards classic noir films. However, the book, itself, delivers much essential values rather than just telling a story of the victims and the murders. Reagan himself," journalist Leonard Silk reports.
Film Noir Film Analysis
colors, when all you could see was black and white, when nobody could think of a featured film, it was then that the director Antonio came up with a film "story of a love affair" which challenged the traditional ideas and themes, film noir essay. Cronaca di un amore is an Italian black and white drama film which was released in The movie is known as 'Chronicle of a Love' in the United Kingdom, and 'Story of a Love Affair' in the United States of America. It was the first venture of the director Michelangelo Antonioni as a whole length feature film, film noir essay.
Before this the director Michelangelo Antonioni has been famous for different short films and he was also given the opportunity to direct a documentary about the internal works of an asylum but he abandoned this opportunity. Story of a Love Affair was his first narrative feature film Venturi, Travis develops hatred toward those who have spurned him, including Betsy, the New York senator for whom Betsy campaigns, and Sport, Iris' pimp, film noir essay. Travis' mounting anger is conveyed through a series of scenes in which he transforms his physique into the sculpted frame of a hired killer; he performs countless exercises, including sit-ups, pull ups, and weight lifting, film noir essay.
He engages in target practice in order to improve his marksmanship, and perfects his gun-drawing technique as well, film noir essay. If the scenes with Travis in his taxi cab represented the initial stage of the Campbellian mythical trajectory, in which the hero becomes aware of their surroundings and the need for a better life, film noir essay, the scenes in which Travis purchases guns and exercises exemplify the second stage of the process, film noir essay, albeit film noir essay a somewhat unusual manner. Where the second stage of the journey involves the hero undergoing a series of tests in which they…. Man Who Shot Liberty Valance and the Brilliance of John Ford John Ford's The Man Who Shot Liberty Valancea classic western with a few film noir elements included, is elegiac in the sense that its narrative strategy is that of eulogistic remembrance by now-Senator Ransom Stoddard, of horse rancher Tom Doniphan, who once saved Stoddard's life and changed it much for the better, and who was the real man film noir essay shot Liberty Valance.
According to Robert Horton, film noir essay, "This may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose" "Editorial Reviews". Upon Tom Doniphan's death in the small fictional town of Shinbone state unknown Ransom and Hallie Stoddard arrive back in town to pay their final respects to Doniphan who sacrificed so much of himself, and so much of his own future happiness,…. Lies and Talkies: Singing in the Rain vs.
Sunset Boulevard Long before the self-reflexive, film noir essay, pastiche ethos of postmodernism that is popular today, films like "Singing in the Rain" and "Sunset Boulevard" used the medium of cinema to critique the false nature of Hollywood and to critique the medium of film itself. Both the films "Singing in the Rain" and "Sunset Boulevard" chronicle the rocky transition of Hollywood from a purely silent and image-based means of generating a creative pictorial reality to a talking and slightly more realistic version of 'real life. Citizen Kane" is known for creating many new filmmaking techniques, and has been hailed as one of the greatest films ever made.
The depth-of-field or focus of both films comes into play in the overall success of the films, in that in "Citizen Kane," they show the grandeur of Kane's mansion, and the violence of the gunplay in the gangsters' world, film noir essay. Dutch-angled scenes in "Twenties" indicate the very canted world of the 20s gangsters, and even though Eddie becomes successful, it is clear he is a world away from the opulence, excess, and power of the mighty…. visual motifs that Alfred Hitchcock puts into service to tell a film's story cinematically. The focus of the essay will be to discuss such visual motifs as they are to found both in Strangers on a Train and in North by Northwest.
Also, we will examine how Hitchcock use editing, performance, film noir essay, doubling and camera movement to cinematically create both suspense and irony in these films. Additionally, we will consider if the films film noir essay of the period noticed these Hitchcockian devices. First we need to define visual motif and what it meant for Hitchcock as a part of his entire filmatic theme's vision. By looking at the films, it is obvious to this author that Hitchcock used film noir in his crime dramas, particularly those that emphasized cynical attitudes with sexual motivations and connotations. This is understandable as Hollywood's classic film noir period is generally seen as extending from the early…. Strangelove, put him over the top" p.
The learning curve was clearly sharp for Kubrick, and he took what he had learned in these earlier efforts and put this to good use during a period in American history when everyone was already ready to "duck and cover": "The film's icy, documentary-style aspect served not only to give the movie its realistic edge that juxtaposed nicely with its broad satire, the style introduced the essential Kubrick setting" Sharrett,p. According to McdouglasDr. Strangelove, A Space Odyssey, and a Clockwork Orange were all later listed by the American Film Institute as being among the top one hundred American films of cinema's first century. In addition, "Each of these films provoked heated debate and each was a box-office success" Mcdouglas,film noir essay, p.
The popular response to Kubrick's movie,in particular, was the result of an…. Spade walking down to examine a murder makes use of shadows as well as high black-white contrast in order to convey drama and suspense. This is commonly referred to as the film noir lighting technique because it conveys a sense of mystery and danger. The lighting highlights the most extreme contours of the character's faces, but none of the moderating details such as texture or color. This makes the facial expressions look much more dramatic than they would under normal lighting. The costumes are also very typical of the film noir genre.
Spade is wearing a black wool overcoat and a fedora and his counterpart from the police station is wearing the same outfit. This is a style of dress associated with detectives, who sometimes had to conceal their identity and not stand out, film noir essay. The overcoat conceals much of the person's figure and could conceal weapons or other objects. Debby plays the part of a kept-woman and is a cold creature and the paramour of Vince Stone played by Lee Marvin. Vince is Lagan's chief henchman in this film. In one scene Debby is thrilled to be an interruption of the boys at a poker game when she answers the phone and hands it to Vince who rudely tells her to leave the room Debby pauses in front of a mirror preening at her reflection giving an insight into her vain character and is only the first of many preening scenes on her part in the movie.
Scandal Sheet Scandal Sheet is a film noir thriller set at a sensation grabbing tabloid-style newspaper. It is based on the novel the Film noir essay Page by Samuel Fuller, himself a major filmmaker. In one of the shots which is a complex one shown is a lower East Side tenement from…. Art, Costume, And Scenery of Major Feature Films of the s Kiss of the Spider Woman. Hector Babenco, Adapting The Kiss of the Spider Woman to the cinema presented a unique challenge to filmmakers. The story is set in a jail cell, and largely takes the form of dialogue between two prisoners: Molina, a homosexual window dresser, and his cellmate, a fiery radical named Valentin.
To pass the time, Molina tells his cellmate stories, film noir essay. The dank, dark cell where the two men wear relatively minimalistic clothing is a stark contrast with the beautiful, film noir essay, melodramatic films that Molina narrates. Occasionally, some brightness will intrude into the jail, film noir essay, such as when Molina cooks for Valentin or when he puts a scarf around his head. Molina may make an attempt at drag, but it is relatively minor given the tools at his disposal. Photography and Images Our Memory, Our Identity, Our Reality: The Affects of Photography "In teaching us a new visual code, photography alters and enlarges our notions of what is worth looking film noir essay and what we have a right to observe. They are a grammar and, even more importantly, an ethics film noir essay seeing.
Access and mass appeal have historically made photography a powerful location for the construction of an oppositional black aesthetic. Guy Pierce stars as the lead character, Leonard Shelby. Film noir essay film is a highly non-linear, thriller film-noir mystery. Leonard Shelby was once…. Science fiction and horror both offer narrative closure and "the restoration of the social order," as does Repo Men, only in this case the social order being preserved is completely amoral and evil Grant It does not end with the monster or alien menace defeated, like Independence Day, Star Wars, Terminator or The War of the Worlds, but just a literal return to the 6 status quo and business as usual.
Repo Men is definitely not an adolescent or 'infantilized' film, with heavy reliance on special effects and light and magic shows, film noir essay, film noir essay do the good guys win in the end -- insofar as there are any good guys at all. It has no real film noir essay or comport to offer, and n this absolutely dehumanized world of the future that lacks redeeming features of any kind, Remy's fantasy existence might actually be preferable to 'reality'. Thus the film is…, film noir essay. His affair with his partner's wife and his cowardly impulse to dispatch his secretary to inform her of her husband's death, along with a variety of decisions that reflect a serious moral ambivalence, illuminate a man with a black bird over his shoulder at all times.
And indeed, film noir essay, as the presence of the falcon comes to play a greater role in the driving action of the film, film noir essay, film noir essay is often conveyed in bursts of violence and murder, so too does Sam Spade's misfortune, film noir essay. His entanglements with law enforcement, gangland thugs and a murderous seductress, though perhaps karmic to some extent, seem inextricably to wind their way to Spade's doorstep under the supervision of the harbinger bird. A key distinction film noir essay the film and the novel comes less from what might be regarded as a narrative decision than a practical one, film noir essay.
The ending to the novel draws out somewhat longer, as…. Women in Film Noir Teaching is in many ways a solitary profession: A teacher in his or her own classroom spends hours in contact with students but often relatively little time talking to other teachers and educators. Administrators are also in many ways isolated from the teachers, film noir essay. Perhaps because of this fact, the administrators interviewed for this project emphasized the personal importance of collaboration with other members of the professional and the necessity of providing support for each other.
This section summarizes the findings of this research concerning how education professionals defined and evaluated different aspects of cooperation film noir essay the profession. Subject Population and Research Design This study was conducted at a kindergarten through eighth grade school in the district where I am employed. I conducted six film noir essay with administrators who ranged in experience in administration from one to eight years. Five were women and five were former teachers in…, film noir essay. Joan Crawford's life appeared to mirror the characters that she portrayed on film in several ways. By analyzing the film Mildred Pierce, in which Crawford plays the titular character, one can see how Mildred's character is designed to reflect American perspectives of women.
For example, in the film and in real life, film noir essay, Crawford was able to reinvent herself and become more successful as time went on, film noir essay. However, despite her successes, society still maintained that in order for a woman to be complete, film noir essay had to have a man in her life, thus propagating the social stigma that a woman could not be independently successful. Allen writes, "in many of the woman's films what the heroine strives so hard to achieve is given up at the end of the film in favor of the 'happy ending'; a chance to be a traditional wife and mother. The question that Caine struggles with is whether life has any real meaning, taking into account the ugly, cruel, film noir essay, but still unimaginably changeable circumstances under which many people are able to live -- "in particular, young black men caught in a web of presumption and prejudice about their film noir essay natures and what they might be capable of -- becomes the fundamental question" Flory for Caine and for the entire film.
environmental perspective. Less than thirty minutes into the Menace II Society, Caine's grandfather asks him if he even cares if he lives or dies. This question is film noir essay philosophical topic, as suggested by Camus, but it is also a psychological question because what happens when a person becomes ambivalent about their film noir essay And what drives them to become so? There is some suggestion that focusing on race by delineating how a presumed guilt of African-Americans and other related conditions…. Mise-en-scene As Gerald Mast states, "Details develop the film's emotional dynamics"and these details are everywhere in the mise-en-scene.
The most important aspect of the mise-en-scene, of course, film noir essay, is the acting. Actors are film noir essay most obvious props -- and Oh Dae-su provides ample instances of buffoonery that keeps Oldboy from sinking into the mire of its own violence. Despite all the gore, the film harbors a gentleness and affection, thanks to the acting from Oh Dae-su and Mido. Even the villain provides a handsome face and charming smile -- and an affable voice; even he is hard not to like, as he plays cat and mouse with Oh Dae-su. The low-key lighting also helps provide the audience with the emotional connection necessary for the kind of mystery the film attempts to be.
Scenes are shrouded in darkness -- such as when the heroes find film noir essay working in the Internet…. Not only does this benefit them as a port destination, but the influx of trade goes through Taiwan with the majority of manufactured goods of the Pacific region flowing through their ports. Since Taiwan has a favorable relationship with the Western states, it has been able to absorb the growth of the East Asian region and serve as an effective broker for traffic of goods.
romeo and juliet 5 paragraph essay
The Extra-Terrestrial "E. But revisiting "E. Works Cited Ebert, Roger. Review of "E. New York: Holt Rineheart and Winston, Lane, Anthony. Accessed on February 2, at:. colors, when all you could see was black and white, when nobody could think of a featured film, it was then that the director Antonio came up with a film "story of a love affair" which challenged the traditional ideas and themes. Cronaca di un amore is an Italian black and white drama film which was released in The movie is known as 'Chronicle of a Love' in the United Kingdom, and 'Story of a Love Affair' in the United States of America. It was the first venture of the director Michelangelo Antonioni as a whole length feature film.
Before this the director Michelangelo Antonioni has been famous for different short films and he was also given the opportunity to direct a documentary about the internal works of an asylum but he abandoned this opportunity. Story of a Love Affair was his first narrative feature film Venturi, References Bondanella, P. Italian cinema: from neo-realism to the present. NY: Continuum International Publishing Group Inc. Johnston, I. Venturi, L. Notes on Five Italian Films. Hollywood Quarterly, 5 4 , -- Philadelphia Story In his romantic comedy adaptation of Philip Barry's Broadway play, director George Cukor allows Katherine Hepburn, James Stewart and Cary Grant to light up the screen and carry the movie without confusing the audience with camera tricks and editing.
By using subtle camera techniques, Cukor introduces the main characters through action and relies on his star ensemble to paint the picture of their respective characters. The editing is fluid as well as the cinematography. Using such devices as off-screen dialogue, and cues, we follow Hepburn, a Philadelphia socialite as she attempts to marry another man, and avoid a tabloid hound. Cinematically, this is typical of the movies Hollywood was making in the s. This particular film went on to win a string of Oscars, including Best Picture, and Best Director. Cukor interplays the style of writing within his camera directions so as to allow for an enjoyable…. Lies and alkies: Singing in the Rain vs. Sunset Boulevard Long before the self-reflexive, pastiche ethos of postmodernism that is popular today, films like "Singing in the Rain" and "Sunset Boulevard" used the medium of cinema to critique the false nature of Hollywood and to critique the medium of film itself.
Both the films "Singing in the Rain" and "Sunset Boulevard" chronicle the rocky transition of Hollywood from a purely silent and image-based means of generating a creative pictorial reality to a talking and slightly more realistic version of 'real life. The lack of realism in the Hollywood machine is also evident in "Singing in the Rain," as in "Sunset Boulevard. He is talking of his childhood as it meshes with his cultivated screen persona -- however the viewer is shown flashbacks of what the star's real life growing up was like. Really, this gentleman was born poor and spent most of his days hoofing away, learning his trade dancing for pennies in saloons. The myth vs. The reality generated by the studio system is highlighted through this juxtaposition of flashback and present, also called the Kuleshov effect whereby a viewer associates apparently disconnected shot -- the dancing young boy becomes Kelly early on in the viewer's mind, although this side of the matinee idol is not immediately seen in the film.
The fact that this popular actor's even lovelier female co-star has a coarse voice incommensurate with her blonde confection-like appearance adds to the humor generated by the falseness of the film industry. But when sound comes to film, the only way to save the trashy costume drama the studio is attempting to enforce upon the public is to make it a movie musical, thus taking the matinee idol back to the truth of the early dancing and singing roots of his career. The cinematographer's choice to contrast the black and white jumpiness of the 'fake film' made over the course of "Singing in the Rain" with the reality of Technicolor underlines this theme of how talking films, even musicals, are more realistic than were the silent visions of far-off exotic glamour and locations.
Moreover, because his female co-star's speaking and singing voice is so dreadful, the woman's must be dubbed. The actress assuming the woman's true voice assumes the career of the star of the silent screen, the far more talented and 'real' perky up-and-comer played by Debbie Reynolds, who admits that yes, she reads "some" of the fan magazines, but is still authentic in her willingness to sacrifice for her costars to make the film work. There is no such hope for truth in film in "Sunset Boulevard. It is set in an age where screenwriters were blacklisted for a whisper of communist connections, not a time of innovation, as was the 's setting of "Singing in the Rain. Man ho Shot Liberty Valance and the Brilliance of John Ford John Ford's The Man ho Shot Liberty Valance , a classic western with a few film noir elements included, is elegiac in the sense that its narrative strategy is that of eulogistic remembrance by now-Senator Ransom Stoddard, of horse rancher Tom Doniphan, who once saved Stoddard's life and changed it much for the better, and who was the real man who shot Liberty Valance.
According to Robert Horton, "This may be the saddest estern ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose" "Editorial Reviews". Upon Tom Doniphan's death in the small fictional town of Shinbone state unknown Ransom and Hallie Stoddard arrive back in town to pay their final respects to Doniphan who sacrificed so much of himself, and so much of his own future happiness,…. Works Cited. Berardinelli, James. Retrieved May 28, , from:. Ford, John. The Man Who Shot Liberty Valance. With John Wayne and Vera Miles. Paramount, visual motifs that Alfred Hitchcock puts into service to tell a film's story cinematically.
The focus of the essay will be to discuss such visual motifs as they are to found both in Strangers on a Train and in North by Northwest. Also, we will examine how Hitchcock use editing, performance, doubling and camera movement to cinematically create both suspense and irony in these films. Additionally, we will consider if the films reviewers of the period noticed these Hitchcockian devices. First we need to define visual motif and what it meant for Hitchcock as a part of his entire filmatic theme's vision. By looking at the films, it is obvious to this author that Hitchcock used film noir in his crime dramas, particularly those that emphasized cynical attitudes with sexual motivations and connotations.
This is understandable as Hollywood's classic film noir period is generally seen as extending from the early…. Works Cited "Film Noir. org, Hitchcock, Alfred, dir. Alfred Hitchcock - Masters of Cinema Complete Interview in You Tube, Kapsis, Robert. Hitchcock: The Making of a Reputiation. Chicago, IL: University of Chicago Press, Spade walking down to examine a murder makes use of shadows as well as high black-white contrast in order to convey drama and suspense. This is commonly referred to as the film noir lighting technique because it conveys a sense of mystery and danger. The lighting highlights the most extreme contours of the character's faces, but none of the moderating details such as texture or color.
This makes the facial expressions look much more dramatic than they would under normal lighting. The costumes are also very typical of the film noir genre. Spade is wearing a black wool overcoat and a fedora and his counterpart from the police station is wearing the same outfit. This is a style of dress associated with detectives, who sometimes had to conceal their identity and not stand out. The overcoat conceals much of the person's figure and could conceal weapons or other objects. Debby plays the part of a kept-woman and is a cold creature and the paramour of Vince Stone played by Lee Marvin. Vince is Lagan's chief henchman in this film. In one scene Debby is thrilled to be an interruption of the boys at a poker game when she answers the phone and hands it to Vince who rudely tells her to leave the room Debby pauses in front of a mirror preening at her reflection giving an insight into her vain character and is only the first of many preening scenes on her part in the movie.
Scandal Sheet Scandal Sheet is a film noir thriller set at a sensation grabbing tabloid-style newspaper. It is based on the novel the Dark Page by Samuel Fuller, himself a major filmmaker. In one of the shots which is a complex one shown is a lower East Side tenement from…. htm Johnson, Gary nd Paul Karlson's Kansas City Confidential - a Review [Online available at: www. htm] Phil Karlson" Sherlock Web Online available at:[www. Art, Costume, And Scenery of Major Feature Films of the s Kiss of the Spider oman. Hector Babenco, Adapting The Kiss of the Spider oman to the cinema presented a unique challenge to filmmakers. The story is set in a jail cell, and largely takes the form of dialogue between two prisoners: Molina, a homosexual window dresser, and his cellmate, a fiery radical named Valentin.
To pass the time, Molina tells his cellmate stories. The dank, dark cell where the two men wear relatively minimalistic clothing is a stark contrast with the beautiful, melodramatic films that Molina narrates. Occasionally, some brightness will intrude into the jail, such as when Molina cooks for Valentin or when he puts a scarf around his head. Molina may make an attempt at drag, but it is relatively minor given the tools at his disposal. Works Cited Canby, Vincent. April 12, Science fiction and horror both offer narrative closure and "the restoration of the social order," as does Repo Men, only in this case the social order being preserved is completely amoral and evil Grant It does not end with the monster or alien menace defeated, like Independence Day, Star ars, Terminator or The ar of the orlds, but just a literal return to the 6 status quo and business as usual.
Repo Men is definitely not an adolescent or 'infantilized' film, with heavy reliance on special effects and light and magic shows, nor do the good guys win in the end -- insofar as there are any good guys at all. It has no real hope or comport to offer, and n this absolutely dehumanized world of the future that lacks redeeming features of any kind, Remy's fantasy existence might actually be preferable to 'reality'. Thus the film is…. WORKS CITED Grant, Barry Keith. Liquid Metal: The Science Fiction Film Reader. Wallflower Press, Landsberg, Alison. Kennedy eds. The Cybercultures Reader, Second Edition. Routledge, Milner, Andrew.
Sobchak, Victoria. His affair with his partner's wife and his cowardly impulse to dispatch his secretary to inform her of her husband's death, along with a variety of decisions that reflect a serious moral ambivalence, illuminate a man with a black bird over his shoulder at all times. And indeed, as the presence of the falcon comes to play a greater role in the driving action of the film, which is often conveyed in bursts of violence and murder, so too does Sam Spade's misfortune. His entanglements with law enforcement, gangland thugs and a murderous seductress, though perhaps karmic to some extent, seem inextricably to wind their way to Spade's doorstep under the supervision of the harbinger bird.
A key distinction between the film and the novel comes less from what might be regarded as a narrative decision than a practical one. The ending to the novel draws out somewhat longer, as…. Women in Film Noir Teaching is in many ways a solitary profession: A teacher in his or her own classroom spends hours in contact with students but often relatively little time talking to other teachers and educators. Administrators are also in many ways isolated from the teachers. Perhaps because of this fact, the administrators interviewed for this project emphasized the personal importance of collaboration with other members of the professional and the necessity of providing support for each other. This section summarizes the findings of this research concerning how education professionals defined and evaluated different aspects of cooperation within the profession.
Subject Population and Research Design This study was conducted at a kindergarten through eighth grade school in the district where I am employed. I conducted six interviews with administrators who ranged in experience in administration from one to eight years. Five were women and five were former teachers in…. Mise-en-scene As Gerald Mast states, "Details develop the film's emotional dynamics" , and these details are everywhere in the mise-en-scene. The most important aspect of the mise-en-scene, of course, is the acting. Actors are the most obvious props -- and Oh Dae-su provides ample instances of buffoonery that keeps Oldboy from sinking into the mire of its own violence.
Despite all the gore, the film harbors a gentleness and affection, thanks to the acting from Oh Dae-su and Mido. Even the villain provides a handsome face and charming smile -- and an affable voice; even he is hard not to like, as he plays cat and mouse with Oh Dae-su. The low-key lighting also helps provide the audience with the emotional connection necessary for the kind of mystery the film attempts to be. Scenes are shrouded in darkness -- such as when the heroes find themselves working in the Internet…. Works Cited Axmaker, Sean. Not only does this benefit them as a port destination, but the influx of trade goes through Taiwan with the majority of manufactured goods of the Pacific region flowing through their ports.
Since Taiwan has a favorable relationship with the Western states, it has been able to absorb the growth of the East Asian region and serve as an effective broker for traffic of goods. Thus it plays a central role within the region as a broker between lesser developed nations and the developed super powers. Not only does Taiwan hold an enviable position within global trade, but it also has developed its internal capacity to become a manufacturing force. Taiwan has focused its industries on two key developments, high end technology products including semi-conductors and high end technology product development. The Taiwan Semiconductor Manufacturing Company is the world's largest independent semiconductor foundry.
As a joint venture through subsidized state…. Lee, Pei-shan, "Regime Transition and Economic Governance: The End of Development. Annual Meeting of the Taiwanese Political Science Association, National Sun Yat-sen University. Paul Hirst and Grahame Thompson, Globalization in Question London: Polity Press, , p. Chinatown: A convergence of fraud, murder, and incest Chinatown is the film noir directed by Roman Polanski. A modernized interpretation of classic film noir, Chinatown stars Jack Nicholson as J. Gittes, a Los Angeles private detective, Faye Dunaway as Evelyn Mulwray, a victim of incest and daughter of one of Los Angeles' most powerful men, and John Huston as Noah Cross, a corrupt business man and Evelyn's father.
Chinatown, though released in , is set in Los Angeles during the s and not only revolves around a murder, incest, and a conspiracy to control the water supply in the city, but is also one of the few films to make reference to the California ater ars. In the film, J. Gittes is a private detective that has been hired by a woman impersonating Evelyn Mulwray who claims that she wants to hire Gittes to perform marital surveillance on her…. Works Cited Evans, R. United States: Paramount Pictures. Accessed 5 November Landscape as Replacement of the Mulvey Female in "The Searchers" In her famous essay, "Visual Pleasure and Narrative Cinema," feminist film theorist Laura Mulvey posits that men in Hollywood cinema, responding to demands of the ruling ideology, "cannot bear the burden of sexual objectification.
John Ford's "The Searchers" is interesting for its alternating and sometimes simultaneous adherence to and subversion of Mulvey's observation and theory. On the one hand, his directorial camera lingers over men far more than women, allowing the audience to derive pleasure from male characters. On the other, it may be argued that the landscape itself has female characteristics, suggesting that the est as Ford depicts it, is the…. Works Cited Buscombe, Edward. The Searchers. London: BFI Publishing Mulvey, Laura. Patricia Evans, Indiana: Indiana University Press, html Mulvey, Laura.
Patricia Evans, Indiana University Press, Quoted and cited text appears without page numbers at. Hopefully, regardless of what happens in the rest of the communication world and media, such magazines either in print, electronic or digital form will continue to amaze children. nfortunately, most young adult books have hit rock bottom, dealing with death, abuse, divorce, sexuality and all the other topics that these youth are bombarded with day after day. It is recognized that youths need to deal with the problems that are facing them, and living in a fantasy world is not helpful. However, do they ever have a time to "chill" as they say it? However, the Twilight Vampire Series is really not the answer to this.
It has, what is said, little "redeeming value. The best bet is finding a book that offers imagination, education and entertainment. There are few, but Rebecca Stead's When You…. Unfortunately, most young adult books have hit rock bottom, dealing with death, abuse, divorce, sexuality and all the other topics that these youth are bombarded with day after day. There are few, but Rebecca Stead's When You Reach Me comes close. Miranda's bestest friend Sal stops talking to her he is beat up by Marcus. Marcus then challenges Miranda with arguments about her favorite book, A Wrinkle in Time, and finds flaws in L'Engle's time-travel narrative.
Next, Miranda starts receiving notes from someone who seems to know the future. This is a book that can be enjoyed by readers and nonreaders alike and can be utilized in a variety of different ways for book reports. It is also a great book for smaller groups of students to work together for a team project. Forget the horrible Twilight and instead focus on multithematic books like When You Reach Me. The New York Times Silk, reported that Reagan's "unruffled demeanor" immediately after being seriously wounded, along with his "jokes to his wife and the medics" all helped to "turn fear into rising respect for Mr.
Reagan himself," journalist Leonard Silk reports. A "growing number of Americans decided that they had elected themselves a…. Works Cited Arnett, Robert. Eighties Noir: The Dissenting Voice in Reagan's America. Brant, John. Duel in the Sun. Runner's World. Clines, Francis X. White House Winces at Economist's Words. The New York Times. Nolan's Dark Knight deals directly with the idea of a hero's control over his world by pitting the emblem of anarchy the Joker against Batman a mythological hero, supported by technology that borders on the totalitarian. Nolan questions the degree of power that someone like Batman should possess and whether or not he actually possesses it. Much of the film is spent analyzing this philosophical query, with Batman's tech-support man Lucius Fox even weighing in with his two cents.
Regardless of the film, Nolan inserts the same preoccupations again and again. For example, in the Prestige, Nolan advances the speculations of philosopher Martin Heidegger by examining the illusion of time with a nonlinear narrative: "For Heidegger, authentic temporality concerns itself above all with the future, whereas the film's notion of time is tied to repetition. According to the logic set forth by the Prestige, the idea of time as linear…. Works Cited Gargett, Adrian. McGowan, Todd. Rosenstock, Martin. Maltese Falcon Dashiell Hammett's detective novel The Maltese Falcon has become an iconic text in American literature, not just as the source of the classic film noir starring Humphrey Bogart as Sam Spade, but in itself as a work of fiction that exemplifies the twentieth century's new "hard-boiled" style of American detective fiction that in the end would be associated particularly with Hammett but also with other detective and crime novelists whose work would provide the textual basis for the remarkable visual phenomenon of s noir Raymond Chandler, James M.
It is hard to get a sense, for a contemporary reader, of the scope of Hammett's achievement here, because so many of his effects which were aesthetically radical at the time have now become so entirely assimilated by our own sensibility that Hammett's originality is best realized in comparison to the Victorian detective fiction that he replaced. Nervous Conditions After World War I, the German nation and its people were devastated. The public was led to believe that Germany was going to win the war, and it looked forward to a much- improved socio-economic climate.
Instead, the war was lost and the country was facing a very dreary future. As a result, the government established the Weimar epublic under the leadership of Friedrich Ebert, a past leader of the Social Democratic Party SPD and a supporter of the war efforts. Some historians believe it was fate that Weimar Germany did not succeed. From the beginning the challenges were too great, the situation too grim and the individuals involved too unprepared. As a result, Weimar Germany had a short and bumpy ride that combined the best with the worst: Culturally, it remains one of Germany's most creative periods of time in art, literature and thought.
Politically and economically,…. References Delmar, Sefton. Weimar Germany. New York: American Heritage, Gay, Peter. Weimar Culture. Kracauer, Siegfried. From Caligari to Hitler: A Psychological History of the German Film. Princeton: Princeton Press, Library of Congress. Updated 6 February Visited 11 March Pierce is a strong woman, but author Cain cannot allow her to be viewed as a heroine, because of her failure as a mother. Reflecting a common cultural stereotype, women are shown to be unable to be successful both in the business world and as 'real' women. Walter Mosley, Always Outnumbered, Always Outgunned Walter Mosley's work is a kind of film noir in prose.
It features an African-American detective, Easy Rawlins. This book is important because it looks back at the formative classic era of Hollywood in Los Angeles through the eyes of a contemporary, American author and examines how…. Learning Tools Study Documents Writing Guides About us FAQs Our Blog Citation Generator Flash Card Generator Login SignUp. Filter By:. Keyword s Filter by Keywords: add comma between each. Most Relevant Recently Added Most Popular. Home Topics Arts Film Noir Essays Film Noir Essays Examples. Having trouble coming up with an Essay Title? Use our essay title generator to get ideas and recommendations instantly. A heroine is somewhat a… Sources of Male Anxiety in American Film Noir , Fairleigh Dickinson University Press: Madison, Teaneck, London Prigge, Ted.
The main reason for this is the fact that there are several… Bibliography 1. Neo-noir films differ from their film noir counterparts because they are no longer reflective on social and cultural tensions. It left up to the viewer to decide what kind of life he will lead in the future. Confidential, the future of the city is somewhat unclear, but both protagonists in the film are met with at least somewhat happy endings. The male protagonists in neo-noir films are also much more strong-willed. Their actions, though at times extreme, are seen as justified to the viewer and made by the protagonist alone.
Unlike earlier noir films, the protagonists are at least somewhat in control of their future. This turn within the genre clearly reflects changing attitudes within society, as the helplessness and isolation men felt after the war is no longer felt on such a large scale. Murphy 4 The influence of culture on the content of noir films is especially evident in the disappearance of femme fatale in neo-noir films. The s marked a major shift in gender roles with the start of World War II. As men left for war, women took up jobs in the workforce and in factories in order to help with the war effort. This brought about a new sense of independence for women.
When men returned home from the war, however, this shift was not necessarily seen in a positive light. The femme fatale of noir films is invariably portrayed in a negative light. Furthermore, the protagonist is usually helpless against the advances of these women. Femme fatales, such as Cora in The Postman Always Rings Twice and Phyllis in Double Indemnity, are almost always met with an end even more bleak than that of the protagonist. In these two films, the femme fatales are both killed with little thought. Neo-noir films, however, approach female characters in a much more favorable light. The relationships between protagonists and these women are based on love, rather than mere lust.
Thus, the actions of the protagonists appear often more justified. This can be accredited to the changing cultural tides since the s. This is especially evident in Drive as well. Murphy 5 Even in L. Confidential, Lynn, a prostitute, has a relationship with one of the protagonists, however, the relationship is based on love rather than lust. Film noir arguably would not translate well to modern audiences if not for its integration of onscreen violence. Like German Expressionism, s film noir drew a definitive reaction of discomfort and psychological unease from its audiences.
Confidential and Drive both use violence as a means of eliciting this same reaction. Confidential, numerous murder scenes and uncomfortable police interrogations illustrate how violence is now used in neo noir to elicit the strong emotional and psychological discomfort that typified s noir. Certainly the strongest influence on the evolution of film noir has been societal and cultural changes throughout time. This essay was written by a fellow student. You can use it as an example when writing your own essay or use it as a source, but you need cite it. Explore how the human body functions as one unit in harmony in order to life. Noir film means black film although it does not literally incorporate the racial orientation of the black people.
Rather it is the mood and attitude of the film in terms of different styles. Neo noir is an updated version of noir films of the s. Noir films today have updated content, visual elements, style, themes or. Martinez Jose Mrs. Blaker English 16 December Film Noir The end of World War II in brought a new era of rebuilding, and rediscovering. During the s going to the movies was comparable to shopping at a candy store: there was something for everyone. These stories depicted a fraudulent Hollywood unimaginable to Americans. This new image to cinema illustrated a different version of America by. Ashley Seymour Film Noir Paper 2 Due: May 5, Mise-en-scene: Paranoia, Ambiguity, and Shifting Values Three quintessential films featuring elements of noir include: The Big Combo, Stranger on the Third Floor, and Out of the Past.
The Big Combo is about protagonist and police lieutenant, Diamond, who is investigating mob boss Mr. Even though Diamond is ordered to cease the case, he makes one last attempt by going after Mr. The Stranger on the Third Floor is. Also, in general, the world of dark, corruption and crime are usually described in film noir, and thus it shows a strong sense of social contradictions. MIAMI NOIR We have much to learn from Mike Davis, CITY OF QUARTZ Vintage, who discusses the paradoxical effects that the representations of Los Angeles in hardboiled novels and their translation into film noir cinema had on the image and myth of that city. Together they radically reworked the metaphorical figure of the city, using the crisis of the middle class rarely the workers or the poor to expose how the dream had become nightmare.
It is hard to exaggerate the damage which. Some of the characteristics movies in this genre shared were that they were shot in black and white, there was no happy ending, the protagonist was often a war veterans, the plot was ruled on fate, emotions were usually raw, and the theme dealt with the darker side of human nature. This term was first coined by French film critic Nino Frank, who noticed a trend in the darkness of themes in many American films that constituted wartime cinema. Mistrust, fear, paranoia, and bleakness is obvious in noir, it reflects the cold war period when the threat.
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