Cinematography: Theory and Practice. Works Cited Fielding, R. exler, cinematography essay, a veteran of the studio system and in particular a disciple of pioneering cinematographer Conrad Hall, took a more pragmatic approach to the project. Malick plays the hauntingly beautiful score by Charles Ives, "The Unanswered Question," to underscore the sense of spiritual desolation in Dale's horrific cinematography essay. Thank you, so much!!
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Home — Essay Samples — Entertainment — Moonlight — Analysis of Cinematography in Moonlight by Barry Jenkins. Any subject. Any type of essay. Moonlight was directed by Barry Jenkins, adapting the unproduced play called Cinematography essay Moonlight Black Boys Look Blue by Tarell Alvin McCraney. Moonlight is a coming of age movie of a young African American man through three stages of his life. Both films use color to reflect the mood of the scene and what the characters are thinking. The main characters self-discovery is told through these chapters, each through a different developmental phase of his life, cinematography essay.
When Juan is introduced, the camera follows behind him smoothly. The entire scene is a single shot, showing how natural Juan fits in the neighborhood with effortless authority. When Juan talks with his employee and sees him reject a customer, cinematography essay, the camera circles around the characters. This arc shot is a motif that is used repeatedly throughout the film and has two meanings. Here, it symbolizes the community and tight connection between the boss, employee, and customer. Later it is the friendship between young schoolboys during a ballgame.
But a community can also be a cage. For Chiron, his community ostracizes him for being gay. Immediately after the first scene, the camera moves to Chiron being chased by his bullies, cinematography essay. The camera becomes shaky, evoking panic as it chases cinematography essay Chiron. Now, it represents his world, one of anxiety and persecution, cinematography essay. As Chiron finds a hiding place, the bullies insults become louder and louder. While Juan is respected by his peers, Chiron is persecuted by them. After the bullies leave, Chiron wanders around and finds a syringe, foreshadowing his profession in the third part of the film.
When Juan breaks down the boards to the house, lights fill the room, cinematography essay. The way each character talks are also contrasting, cinematography essay, Juan speaks relaxed and caring while Chiron does not speak. The camera is sped up and closing in on Chiron and his friend, trapping them even further. The camera is always placed as close to the actors as possible, so as to put the viewer in the scene. A fourth wall cinematography essay happens when Chiron and his friend look directly at the camera as if the character is talking to the audience. It makes the audience cinematography essay into the scene and sees the intensity of what the character is feeling.
Moonlight is shot in anamorphic format, which made it when the characters stare into the camera that much more dramatic. When a character is the only one in an expanded frame, it highlights how alone they are. Maybe subconsciously we chose cinematography essay for Moonlight in an effort to depict this community in a brand new light. The bright colors used are different than the usual dark and harsh colors American indie movies that tackle social issues usually have. When Juan beckons Chiron to teach him how to swim, it is a long shot as Chiron decides what to do, cinematography essay.
When Chiron finally joins him, the camera jump cuts and it is no longer a long shot as Chiron begins to have fun. The Atlantic Ocean is a bright blue while the scene challenges what black fathers are supposed to be. Natural cinematography essay was used during this scene and the humidity in the air made the actors skin a softer glow. As the sky progressively turns grey, cinematography essay, it contrasts against the clear ocean, presenting how the characters feel emotionally. This lighting gives the character depth and not just a negative stereotype of an abusive mother. Lighting is used to challenge stereotypes by juxtaposing the dark things that happen to characters with bright and beautiful lights in the background.
Lighting focused on skin tone and making skin color look natural and appealing. Cinematographer Laxton used an Arri Alexa digital camera that displays skin tone more vibrantly as skin tone was an important aspect of Moonlight. We were lighting them with a style that was more realistic than flattering and we wanted cinematography essay skin tones to feel warm and not harsh. Unlike other films, Moonlight does not use a realistic aesthetic that other films that deal cinematography essay drug addiction and lower socioeconomic classes, cinematography essay. Colorist Alex Bickel achieved a vibrant film by increasing the contrast and saturation while preserving details and color.
When inside homes or night scenes, Laxton used color filters on the camera lenses with pinks or greens to make sure that the emotion the characters were feeling came across. Light bulbs were changed from green to blue during a diner scene later in the film. Before Chiron walks into a diner the lightbulbs outside were changed to give off a blue hue instead of the natural green to make Chiron look softer. Natural light is also used during the diner scene. The light inside the building came from the lamps and it gave a natural and realistic feel to the diner.
The natural light gives the characters a soft glow and presents the characters in a way that does not feel fabricated, cinematography essay. At the beginning of the film, Chiron is bullied during a soccer game, cinematography essay. When Kevin and Chiron wrestle, the camera becomes shaky and cuts to shots of their arms and legs. Later in the film when Juan teaches Chiron how to swim, the camera is level to the water so that the audience feels like they are swimming with the characters. Later in the film when Chiron enters the diner scene, it is a long shot to present the setting and feel of the diner. When Kevin notices Chiron sitting at the bar the shot cuts to a close-up of Kevin looking directly looking into the lens.
Near the end of the film, Chiron is standing in a doorway but the camera has skewed the perspective by not standing directly in front of the doorway, making Chiron look cinematography essay and confined. Then when Kevin enters the scene, the camera stands in front cinematography essay the doorway and now it cinematography essay gigantic, cinematography essay. At the end of the film, the last shot is Chiron standing in front of the Atlantic in the moonlight. The camera slowly goes toward Chiron until he turns his head to cinematography essay behind him. The camera stops and Chiron looks to the audience as if beckoning to join him. Moonlight is such a beautiful experience because of the way Director Jenkins uses color, camera angles, and lighting to connect the audience to the characters.
It is a coming-of-age story that uses every camera trick in the book to create a film that the audience feels absorbed in the entire way through. Remember: This is just a sample from a fellow student. Starting from 3 hours delivery. Sorry, copying is not allowed on our website. We will occasionally send you account related emails. This essay is not unique. Sorry, we could not paraphrase this essay. Our professional writers can cinematography essay it and get you a unique cinematography essay. Want us to write one just for you?
We use cookies to personalyze your web-site experience, cinematography essay. This essay has been submitted by a student. This is not an example of the work written by professional essay writers. Analysis of Cinematography in Moonlight by Barry Jenkins Subject: Entertainment Category: Movies Topic: Film AnalysisMoonlight Pages 4 Words: Published: 01 September Downloads: 60 Download Print. Get help with writing. Pssst… we can write an original essay just for you, cinematography essay. Your time is important. Get essay help. Related Essays Elements of Visual Design in the Film Moonlight Essay. Structural Analysis Of The Movie Moonlight Essay. Analysis Of The Elements Of Visual Design In The Movie Moonlight Essay.
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Alfred Hitchcock is one of the legends of English and American cinematography. It is impossible to imagine a person who does not know Hitchcock and the contribution he made to the world filmmaking. His personal invention of numerous techniques in different genres made his films spectacular and different from what existed on the screens. Vertigo is a psychological thriller which comprises an original idea, a telling title and the visual effects which contribute to the understanding of the main idea of the movie. The main purpose of this paper is to dwell upon the movie Vertigo and to understand its underlying theme, the role of lighting and cinematography effects in movie perception and to compare and contrast it to other films shot by the director in America.
Watching a movie Vertigo , a viewer remains in tension from the first minute up to its final scene. Hitchcock kept the viewer in guessing for some time, whether Madeleine and Judy was one and the same person. The finale of the movie is unpredictable as no one can expect that Judy is going to die. Still, a close consideration of the movie may provide us with some specific ideas which point to the underlying themes in the film. Much attention is paid to Scottie and his pure but at the same time imaginary identification. Hitchcock wanted to show the difference between something that was seen and that what desired to be seen. Identification of people and object is the central theme of the movie. It is impossible to get the underlying idea of the film without discussing the techniques used there.
The camera zoom, different visual effects, change of color, light and picture, and offline editing are the most important techniques which help the audience to understand the main idea of the movie. Here is a close consideration of each effect which adds to the understanding of the film. There are a lot of different scenes when some objects become either lighter of darker. For example, there is moment when Madeleine is in the shot. In this very scene, the restaurant wall on the background becomes brighter. The main idea of the light here is to underline the moment, and make the blurred red restaurant walls more visible. The art of montage is magnificent in the film. There are a lot of different effects which seem simple for a modern viewer, but a close consideration of the quality and the period when the movie was shot may state this effect if magnificent.
Both the main character and the audience are confused whether the persecuted car is the necessary one or not. Another good example of montage is achieved with Kim Novak. The music effects also impress. The alteration of the sound pays attention to some specific scenes and events which take place in the movie, e. The music volume also plays important role as when the sound increases, the viewers pay more attention to the events and shot than to others. The Crow' Takes Off at Box Office Movies: The opening is the biggest ever for Miramax. In second place is 'When a Man Loves a Woman,' with 'Crooklyn' third..
Retrieved December 28, Julie M. Psychological Review of the Movie When a Man Loves a Woman. Movie director. Ann Arbor, Mich. This short clip tells the story of a woman who suddenly discovers that her savings are missing. Upon learning this she exits rapidly to find the culprit, but not before comforting her young son. The main elements used in mis en scene are the following: setting, props, costume, performance, lighting and composition. The main elements used in cinematography are: framing, shot distance, length of take, camera movement, camera angle and depth of film. During the beginning of the clip the first element that stands out is the setting. This element is carefully chosen in order to give the audience specific information about the characters.
The setting is the interior of a humble and simple home. This tells the audience about the characters…. Sound of Music released in , became an Academy Award winning icon in American movie musicals. As an historical account of the singing von Trapp family, the film is highly inaccurate and has several other strongly negative characteristics. The Sound of Music: What the Movie is about; Which Parts are Historically Accurate and Inaccurate; a Review "The Sound of Music" is about the singing von Trapp Family of Austria, who escaped Nazi control during Hitler's rule. The movie is historically accurate in some respects.
Maria, an Austrian postulant with a religious order of nuns, was sent to the Salzburg home of widower Georg von Trapp, a military officer, and his 7 children. Maria and Georg eventually married. Also, the family was singing family and did win an Austrian musical competition. Televised violence can in some cases be harmless, mainly because film directors overstress it to the point where it becomes obvious that it cannot possibly take place in real life. hen it is presented in a way that makes it even more real violence can be very harmful.
The negative effect of televised violence is apparently highlighted by graphicness, as people are influenced to a larger degree if what they see on television is explicit. Images of blood and gore can be much more harmful when presented in a high-detail vivid nature Potter, and Smith As the level of realness increases, the level of shock also increases, making it possible for viewers to feel as if they…. Works cited: Gunter, Barrie and Harrison, Jackie. Violence on Television: An Analysis of Amount, Nature, Location, and Origin of Violence in British Programmes London: Routledge, Gunter, Barrie; Harrison, Jackie and Wykes, Maggie. Violence on Television: Distribution, Form, Context, and Themes Mahwah, NJ: Lawrence Erlbaum Associates, Potter, W.
James and Smith, Stacy. Krcmar, Marina. Cinematography As with any film, what is captured by the eye of the camera in this film is done with skill, expertise, and a high level of perfection in direction. The locations are captured by the camera in a way that supports and adds to the film's satire. For instance, in the gypsy camp, where Turkish and Tommy have gone to purchase a caravan to serve as an office for Turkish to work out for the fight he has to fix, the pair must walk around what appears to be large pile of excrement - and it doesn't appear to be animal in nature. Gross, yes, but it works with the conveyance of the stereotypical image that the director is attempting to convey.
Much the same holds true when Brick Top is giving Turkish and Tommy a tour of the pig pens. It is a harsh looking environment that successfully…. Reference List Ritchie, G. dir , , Snatch, Columbia Pictures and SKA Films, UK. The film celebrates motion and freedom in its visual images, exemplified in the frenetic pace of the American automobile. Pop is a good man, but his horse and buggy are slow, and of another era. Although some suspicion of progress might be seen in the way that it imperils the protagonist with machines and how the city officials strive to cheat Jane's 'Pop,' even Pop knows that he can no longer survive driving a horse and buggy and it is time to retire. The lighting of the film is also bright and most of the scenes are bathed in light.
Of course, as one of the last silent films, "Speedy" is in black and white, but it is more 'white' than black, in its tones. Coney Island, when the couple goes to see the Yankees is positively awash with light. Even when Jane and Speedy are encased within various shiny…. Travolta would star again in Woo's third Hollywood effort alongside Nicholas Cage. The film's solid success with critics and at the box-office would move Tom Cruise to hire Woo to helm the second installment of the Mission: Impossible franchise. But that film would prove to be the apex of Woo's success in America: his next two films would draw scant positive reviews and box office receipts. By that time, Woo had traded his inimical style for more overtly transcendent themes of sacrifice and spirituality: Windtalkers heavily embraced both Christian and Native American spirituality and Paycheck based on a Philip K.
Dick story was more psychologically driven than action-oriented like his more popular films before that. Reference List Ebert, R. ae, pp. Mast, G. A Short History of the Movies. NY: Pearson Longman. The report studies the roles played by actors and the plot of the movie critically. It sorts out the quality of sounds used in the movie and the styles adopted by actors and directors. The movie uses concept of face changing faces which are not new yet the movie makes an effort towards elaborating the concept. The movie is based on blood-shed genre with thrilling adventure that goes on as the characters fight to get to the bomb ticking in L. Movie is not only about the story but it is also about the cinema experience that is based on quality of acting, style, direction, sounds, lights, timing and use of technology.
Storytelling The story…. References Dargis, M. The New York Times. For Private Witt, the idea is found in another world. For Sgt. Welsh, no idea exists -- and he tries to get Private Witt to see as much. Yet, Malick's point is that such a world does exist. In fact, he begins the film with the prayerful chants of the islanders, and rolls credits to the same chant. At one point, one of the soldiers Dale sits in the pouring rain, clinging to himself before hurling his collection of Japanese molars away. Malick plays the hauntingly beautiful score by Charles Ives, "The Unanswered Question," to underscore the sense of spiritual desolation in Dale's horrific hobby.
The acting in the film is another point of interest. Malick's characters are not so much scripted as they are caught on film: each actor essentially is playing himself. Jim Caviezel is Private Witt. Sean Penn is Sgt. What Malick undertook to do with…. The birds flying away in the end are representative of the freedom to love each other that Allie and Noah now have with each other. No physical bounds can restrain them. These elements became apparent on the fourth viewing. I then went back through the scenes to see if bird imagery was hiding in other scenes. Birds were found throughout the story, such as Noah providing bread for Allie to feed the birds, a mockingbird on the porch after they make love, etc. Upon closer examination, this emerged as a central tool for conveying the theme that Noah and Allie's love was as wild and free as the birds.
An analysis of "The Notebook" is a prime example of how the technique of viewing the film several times until the layers emerge can reveal deeper meanings with each viewing. In order to understand how the various elements of the film…. References Boggs, J. The Art of Watching Films Ashford Custom 7th ed. Mountain View, CA Mayfield. Dirks, T. Tips on Film Viewing. Part 2. html Goudreau, K. American Beauty: The Seduction of the Visual Image in the Culture of Technology. here Bound relies on highly grounded visual effects to express this idea, the Matrix explores the very same themes using innovative and ground-breaking special effects. It is in this way that in the Matrix, as we become more aware of the fake things that once were presented as reality, that ripples begin to appear on the screen.
hen Neo-is 'located' in the Matrix, the scene begins with his being absorbed into a mirror. The mirror ripples unnaturally and in a way that jars with the physical rules of the real world. This is a visual effect that is repeated throughout the…. Works Cited: Bordwell, D. Intensified Continuity: Visual Style in Contemporary Hollywood Film. Film Quarterly. Bordwell, D. Film Art: An Introduction. McGraw-Hill Companies; 5th edition August 5, His characters were generally exploited to show what directors wanted them to show instead of showing what Robeson wanted them to. Scenes like that from the beginning of The Emperor Jones when he sings in front of the mirrors and shows his amazing smile have had a huge impact on the audiences that mostly considered black people to be untalented.
In spite of the fact that directors did all that they could to use his character as they wished, Robeson's acting abilities captivated audiences and made them believe that the actor had had a strong character which rendered him unfit for playing weak roles. The Emperor Jones presents Robeson as he plays the role of Brutus Jones, a black man taking advantage of every circumstance to better his social position. Even when people try to fool him, Brutus demonstrates that he is smarter and turns the situation in his favor.
In both the conflicts, the strong will of the athletes help them to overcome the obstacles or conflicts that they faced. Aesthetic Appeal The aesthetic appeal was the main characters Lidell played by Ian Charleson and Abrahams played by Ben Cross. Both the actors had execute their role well and make a big impact on the viewers. The screenplay is also realistic and the story line is strong and powerful. This makes it an all-time great classic for viewers. eviews 1. In this review, the critics felt that the movie was much slower than it should have been. But, they still liked the strong concepts and its underlying themes.
The critics in this review rate it as one of the best movies that is ideal for children aged ten and up. They critic it as a good family movie that can lay the foundation for kids to understand…. References Koster, Olinka. Modern Day Hero runs away with Chariots of Fire Chellnge. Daily Mail. html Mosher, Stephen David. February Sport Movies Grow Up. Journal of Physical Education, Recreation and Dance. The scene between Jules, Vincent and Brett is one that clearly defines Hollywood's obsession with depicting the classic struggle between good vs.
evil, but with a humorous twist that makes the scene appealing to a variety of audiences. Violence is definitely evident in the words, deeds and actions of all the characters portrayed in the film. It is so available and accepted in fact, that an outsider looking in might presume that violence was the 'norm' rather than an extreme aspect of pop culture within the United States. The filmmaker successfully depicts the paradoxical nature of violence in this movie, and attempts to incorporate the struggle of good vs. evil into the every day actions of many of the characters, in particular the lead character Jules.
No where is this more evident than when Jules quotes "Ezekiel" noting that righteous men will always be beset on all sides by the…. Reference: Massing, Michael. htm Olinger, O. com, html" On the other had there is also praise for the ways in which some of the special effects in the film are achieved. This applies to the sequence in which Shanghai is destroyed when the impact of the asteroid creates a sense of depth. This effect is created by a combination of matte paintings, miniature buildings and computer regenerated items. Vaziri T. The critique of the films in terms of the special effects centers on the fast cutting style of ay's direction.
The critics state that the lightning changes and fast shots, similar to musical videos, leave the audience wanting more. The director is continually cutting away to different scenes and sequences. This is a critique that is put forward time and again. There are also criticisms of the way in which the special effects are manipulated and directed. Again this refers to the pace and…. Bibliography Curtis, Bryan. The Bad Boy of Summer: Michael Bay vs. his critics. Accessed October 23, JAMES, CARYN. REVIEW; Take Action and Blood; Sprinkle With Laughs NY Times. Accessed October 24, Star Interviews. In the fifth place, some English language cinemas compete directly with Hollywood within its own playing field.
The sixth and seventh cinema types are interesting, since they attempt to retain a singular identity without external influence. One of these is the cinema that exists entirely within a state-controlled industry, which is often subsidized by the same state. Finally, there are those national cinemas that hold such a specific identity that they distance themselves, in terms of language or culture, from the nation-states within which they exist. Having identified these categories, Crofts also points out the importance of recognizing their permeability. The author uses the example of French, Australian, and Indian films to demonstrate this point. The French, for example, would operate in the fields of differing from Hollywood, not competing directly with it, but occasionally delivering critique on its films and practices.
On exceptional occasions, French cinema would also venture…. References Abbas, a. Hong Kong. The Cinema of Small Nations. Edited by Hjort and Petrie. Edinburgh: Edinburgh University Press. Altman, R. London: Palgrave Macmillan Bergfelder, T. The Nation Vanishes: European co-productions and popular genre formula in the s and s. Cinema and Nation. Edited by Hjort and MacKenzie. London and New York: Routledge. Crofts, S. Theorising National Cinema. Edited by Vitali and Willemen. London: Palgrave Macmillan. The paper aims to offer a comparative analysis of the films in regards to many aspects, including the politics within each film and the aesthetics of each film. The films were released within ten years of each other and illustrate two distinct yet related styles of filmmaking and narrative structure.
Both films pursue issues of freedom and bondage; the urban vs. The rural; and differences among gender roles. The paper describes and explores the content of the narratives as well as filmmaking aspects such as editing, cinematography, soundtrack, and message s to the viewer. There exists a primary dichotomy in both films where Africa is on one end of a spectrum and France, specifically Paris, is on the opposite end of the spectrum, serving as a dreamland or wonderland. Both films explore the dreams of young…. References: Internet Movie Database. Available from www. The Extra-Terrestrial "E. But revisiting "E. Works Cited Ebert, Roger.
Review of "E. New York: Holt Rineheart and Winston, Lane, Anthony. Accessed on February 2, at:. Conformist Explicating Conformity The Conformist, which was directed by the noteworthy Italian filmmaker Bernardo Bertolucci, is a notable film on two fairly exceptional accounts. Not only does it manage to combine a meaningful plot with elements of psychology, politics, and social issues, but it also is visually entrancing and features astute cinematography and sumptuous scenes. At the heart of the issue that the film evaluates is the need and actual effect of conforming. The conclusion hints that there is a degree of futility in human lives, and that regardless of how much one chooses to conform or to not conform, he or she only has limited influence on the world around him or her.
Set during the turbulent years preceding and encompassing the Second World War, The Conformist depicts the journey of its protagonist, Marcello Clerici, through the various stages of his life in a series of flashbacks that regularly…. Those two instances music was used to tell the story vs. simply dialog. The film is filled with Capra quips, parts of business, and artistic tropes such as the invisible baseball game Willoughby performs when discussing fixing up his arm. Norton constantly cleaning his glasses and a duet between John and his fellow tramp the Colonel with the harmonica and ocarina are just some of the memorable and charming scenes Capra became well-known for. Capra also did, much like Welles, an assortment of montages and self-parody.
Meaning, Capra had vertically challenged people signifying the "little people" in promotional photos for Doe. The setting and set design of "Citizen Kane" was quite lush and grandiose. Everything from the animals in the zoo and the fake octopus puppet were larger than life. Music seemed narrate the movie just as much if not more than the dialog. Even when in the newspaper setting,…. References Welles, O. Citizen Kane [Motion picture]. United States: Warner Home Video. Hawks, H. His girl Friday [Motion picture]. United States: Columbia TriStar Home Video. Capra, F. Meet John Doe [Motion picture]. United States: Alpha Video Distributors. These powers are unique to Keaton, who has been widely considered superior to Charlie Chaplin for his "gentle coolness" and "deadpan bewilderment," MacDonald 6.
Both in the General and Sherlock Jr. However, the General is a deeper and more memorable movie from the point of cinematography, direction, editing, and acting. Buster Keaton is one of Hollywood's shining stars of the silent era. After the advent of "talkies," Keaton's career nosedived for obvious reasons. It was easier to transition from live performances in vaudeville to silent motion pictures, but the new talkies meant whole new business models in Hollywood. The dynamics had changed. Keaton's work, as was the case with most film stars of his era, remained literally silenced until they were revived and re-appreciated.
Serious students of film and filmmakers today hearken to Keaton's work. He was been described as the "best comedy director in…. Works Cited Bermel, Albert. Farce: A History from Aristophanes to Woody Allen. Southern Illinois University Press, Peter Lehrman. University Press of Florida. Carroll, Noel. Comedy Incarnate. Malden, MA: Blackwell, There is a direct correlation with, say, Henry Hill's cocaine abuse and the increasingly rapid cuts between shots. Faster-paced narrative parallels quicker-moving shots. When viewers finally see the film in the theater, the finished product reads like a cohesive narrative when in fact the filmmakers strung together disparate shots and cuts and combined them later after thousands of hours of painstaking labor.
Analyzing a movie must therefore include respect for the editorial prowess of the post-production crew. Editors must be intimately familiar with the screenplay they work with, especially in films that do not have a linear narrative. For instance, Christopher Nolan's film Memento describes one man's struggle with memory degradation. elying on a non-linear plot, the filmmaker depended on the post-production crew to adequately convey the disjointedness of amnesia. Other elements like dramatic irony, in which the audience is privy to information that protagonists do not have access…. References Bellour, R. The writer has done a great job because I used their work to compare to work that was already completed.
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